| Written May 3, 1915 after the battle at Ypres, by
Maj. (Dr.) John McCrae of the 1st Field Artillery Brigade. Published in "Punch",
December 8, 1915 Excerpt from "Welcome to Flanders Fields - The Great Canadian
Battle of the Great War : Ypres, 1915", by Daniel G. Dancocks, McClelland and Stewart
(Toronto, Canada), 1988.
pages 250,251 - Epilogue
"In Flanders Fields"
Although he had been a doctor for years and had served in the South African War, it was
impossible to get used to the suffering, the screams, and the blood here, and Maj. John
McCrae had seen and heard enough in his dressing station to last him a lifetime. As a
surgeon attached to the 1st Field Artillery Brigade, Major McCrae, who had joined the
McGill faculty in 1900 after graduating from the University of Toronto, had spent
seventeen days treating injured men -- Canadians, British, Indians, French, and Germans --
in the Ypres salient.
It had been an ordeal that he had hardly thought possible. McCrae later wrote of it:
I wish I could embody on paper some of the varied sensations of that seventeen days
.... Seventeen days of Hades! At the end of the first day if anyone had told us we had to
spend seventeen days there, we would have folded our hands and said it could not have been
done (1).
One death particularly affected McCrae. A young friend and former student, Lieut.
Alexis Helmer of Ottawa, had been killed by a shell burst on 2 May. Lieutenant Helmer was
buried later that day in the little cemetery outside McCrae's dressing station, and McCrae
had performed the funeral ceremony in the absence of the chaplain.
The next day, sitting on the back of an ambulance parked near the dressing station
beside the Canal de l'Yser, just a few hundred yards north of Ypres, McCrae vented his
anguish by composing a poem. The major was no stranger to writing, having authored several
medical texts besides dabbling in poetry. In the nearby cemetery, McCrae could see the
wild poppies that sprang up in the ditches in that part of Europe, and he spent twenty
minutes of precious rest time scribbling fifteen lines of verse in a notebook (2).
A young soldier watched him write it. Cyril Allinson, a twenty-two year old
sergeant-major, was delivering mail that day when he spotted McCrae. The major looked up
as Allinson approached, then went on writing while the sergeant-major stood there quietly.
"His face was very tired but calm as he wrote," Allinson recalled. "He
looked around from time to time, his eyes straying to Helmer's grave." When he
finished five minutes later, he took his mail from Allinson and, without saying a word,
handed his pad to the young NCO. Allinson was moved by what he read:
The poem was exactly an exact description of the scene in front of us both. The word
blow was not used in the first line though it was used later when the poem later appeared
in Punch. But it was used in the second last line. He used the word blow in that line
because the poppies actually were being blown that morning by a gentle east wind. It never
occurred to me at that time that it would ever be published. It seemed to me just an exact
description of the scene (3).
In fact, it was very nearly not published. Dissatisfied with it, McCrae tossed the poem
away, but a fellow officer -- either Lt.-Col. Edward Morrison, the former Ottawa newspaper
editor who commanded the 1st Brigade of artillery (4), or Lt.-Col. J.M. Elder (5),
depending on which source is consulted -- retrieved it and sent it to newspapers in
England. "The Spectator," in London, rejected it, but "Punch"
published it on 8 December 1915.
McCrae's "In Flanders Fields" remains to this day one of the most memorable
war poems ever written. It is a lasting legacy of the terrible battle in the Ypres salient
in the spring of 1915.
- (1) Bassett, John. page 44, "John McCrae." Markham:Fitzhenry & Whiteside,
1984.
- (2) Public Archives Canada (Ottawa), now the National Archives of Canada, MG30 E209,
biographical note by Gertrude Hickmore.
- (3) Mathieson, William D. page 264. "My Grandfather's War." Toronto:Macmillan,
1981.
- (4) Public Archives Canada (Ottawa), now the National Archives of Canada, MG30 EI33,
volume 4, "Origin of `In Flanders Fields.'"
- (5) "Canadian Daily Record," 5/3/19.
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